_孔子诗论_第一简与_诗序_方铭

《孔子诗论》第一简与《诗序》方　铭

内容提要　《战国竹书(一) 孔子诗论》第一简“孔子曰”后应为“诗亡隐志,乐亡隐情,文亡隐意”,而“隐”的释义应该是“私”,孔子的意思是说诗没有表达私志的,乐没有表达私情的,文没有表达私意的,所表达的都应该是合于仁义的无邪之志、无淫之情、无私之意。同时,应该注意《孔子诗论》第一简意义的完整性,诗、乐、文表达的无邪之志、无淫之情、无私之意,正是王道教化的功绩,人的动物性的私欲被人的文化属性所取代,正是体现了王道的景象。所以,“行此者其有不王乎”,与“诗亡隐志,乐亡隐情,文亡隐意”正是紧紧相扣的。而《孔子诗论》的这个思想,也是与传世《诗序》一致的。

关键词　孔子诗论　楚简　隐　诗序

—47—　《孔子诗论》第一简与《诗序》

—48—文艺研究　2006年第7期　

—49—　《孔子诗论》第一简与《诗序》

—50—文艺研究　2006年第7期　

—51—　《孔子诗论》第一简与《诗序》

—52—文艺研究　2006年第7期　

—53—文艺研究　2006年第7期　

TheFirstSectionofConfucianPoeticsandThePreface

FangMin　(47)

InthefirstsectionofConfucianPoetics,Confuciussaidthatnopoetrycanexpresspersonalideal;nomusiccanex-presspersonalemotion;andnowritingcanexpresspersonalwills.Alltheseexpressionsshouldbecompatiblewithjusticeandmoralityandthereforeareidealswithoutperverse,emotionswithoutdesires,andwillswithoutpersonalpurposes.ItshouldbenotedthatthefirstsectionofConfucianPoeticsiscompleteinmeaningandistheproduceofroyalteachingwhichisembodiedinthereplacementofman’sanimalitywithman’sculturalqualities.Inthissense,ConfucianPoeticsisconsistentwithThePreface.TheFuStyleLiteratureofSpiritism

YaoXiaoou　()

FromtheanalysisofthetextualstructureofSpiritism,

thispaperintroducestothereadertheexcavatedandinherited

documents,comparesthemwiththeacceptedFustyleintheirsimilaritiesanddifferencesinformalstructures,andconcludesthatSpiritismisaclassicofFustyleasisdefinedbyWenXinDiaoLong.AndthisisquitesignificantforthestudiesofQuYuanandChuCi.

TheFunctionofMusicandDancingof“LuanYue”andItsArtisticFeaturesofPoeticProse

HuangZhenyun＆SunJuan　(61)

“LuanYue”isacommonformoflanguageinancientdocuments.AtthetimeofTheBookofSongs,itisthepoeticexpressionofmatchingvocalmusicwithdancing,regulatingthepoeticrhythmanditsstructuralcounterpoint,scenesortransformationofsubjects,etc.ItisoriginallyplacedfreelybutinChuCiitisplacedattheend.BythetimeofHandynasty,YueFufollowsthestyleofTheBookofSongs,andtheSaostyleChuCi,allplaceitattheend,andgraduallyitdevelopsintoafixedstructure,andbecomesanimportantartformofliterature.IloveChineseFolkstories:

AnInterviewwiththeRussianSinologistБ.Л.Рифтин

LiuYading　(71)

TheNativeCharacteristicsofChina’sGenreFilms:ACaseStudyofFengXiaogang

WangYichuan　(81)

ThispapertakestheNewYearmoviesdirectedbyFengXiaogangasacasestudytodiscussthenativecharacteristicsofgenrefilmsofChina.Theso-callednativecharacteristicsrefertothenationalatmosphereortemperamentasisem-bodiedincertainsemioticsystem.TheestablishedfeaturesofFeng’sNewYearmoviesincludetheceremonyofgroupdiscussion,farcicalcomedy,plebian-as-hero,andconversationinBeijingaccen.tThehiddenobjectiveofdepthistoachievethecouplingofbinaryoppositionsandtheimaginationofharmoniouscommunity,andthestagingoffashionstheirsocialeffec.tThesearequitesuggestiveofgenremoviescharacteristicofChina:moviesofbothhighqualityandbox-officevaluemustemphaticallyconstructstrikingnativefeaturesandformmatureartisticqualityofourown.TheWesterns:TheRiseandFalloftheChineseWesternAestheticSpace

YaoXinyong＆MaoCui　(88)

—159—